![]() Do the same with the Width control, and you will see how each Delay Line’s left and right channels become offset from each other, as well as from all the other Delay Lines. Slowly increase the Offset, noticing how each Delay Line becomes visible as the offset between them increases. You will see just a single sine wave, which indicates that all channels of all Delay Lines are receiving the same amount of pitch shift at any moment. To better understand the oscilloscope’s display, set Delay Lines to “4”, Offset to “0” and Width to “0”. Each Delay Line is represented by a different colour, with left and right channels having slightly different brightnesses of that colour. ![]() OSCILLOSCOPE: The oscilloscope visualises the pitch adjustment that is being applied to each channel of each delay line. This introduces resonant frequencies into the signal that can greatly accentuate the chorus effect at very high settings the chorus effect can become quite flanger-like. As the Width is increased, so the amount of pitch shift applied to each channel becomes offset from each other, resulting in a bigger, wider-sounding chorus effect.įEEDBACK: Controls how much of the delayed and processed signal should be fed back to the processor’s input. When set to zero, both channels of a delay line will receive the same amount of pitch shift, resulting in a narrow, centralised chorus effect. WIDTH: Offsets the phase of the pitch modulation applied to a delay line’s left and right channels. This results in a thicker, more complex chorus effect. This is essentially no different to using one delay line and boosting its prominence with the Filter Gain control and/or the Wet/Dry balance control.Īs the Offset is increased, the pitch modulation values become increasingly offset from each other, such that each delay line will have have its pitch shifted by a different amount. When set to minimum, an identical pitch modulation value will be applied to all delay lines. OFFSET: Offsets the phase of the pitch modulation applied to each delay line. When disabled, the Depth dials can be adjusted independently of each other. When enabled, the same depth value is applied to both channels of a delay line, and the Depth dials are locked together. BLEASS Chorus uses stereo delay lines, and so a different depth can be set for left and right channels.ĭEPTH LOCK: The depth lock button is located between the two Depth dials. LEFT / RIGHT DEPTH: Controls the magnitude of the pitch modulation that will be applied to the delay lines. ![]() RATE: Sets the speed of the LFO that modulates the pitch of the delay lines. The higher the setting, the more prominent the chorus effect will be. TIME: Sets the delay time for the delay lines. BLEASS Chorus can generate up to four stereo delay lines. Adding additional delay lines leads to a richer, more complex chorus effect. It does not store any personal data.DELAY LINES: Controls the complexity of the chorus effect.Ĭhorus effects are created by using an LFO to modulate the pitch of a delayed version of a signal, and then blending that modulated signal with the original unmodulated one. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. ![]() The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. ![]()
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